21岁的胜夏的偶像秘密日记

河鳗

父亲一去不返，原本在城市上班的阿亮，回到被遗忘的沙洲，寄居河边破房子，在垃圾场打工。岛民为土地公抬轿，被丢弃的神明都挤在寺庙中。阿亮发现神秘红裙女子漂浮于河上，她似乎有着不堪回首的过去，或许她根本就是河鳗化身？视觉艺术家朱骏腾首部长片，取景于台北市内遭限制开发逾半世纪的社子岛，建构如梦似幻的幽灵地带，以浓烈的符号和隐喻，展现实验风格，透过一段萍水相逢的奇遇，映照生命的困顿与无常，探索欲望与归属。柏林影展视角单元。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

残酷的夏日

　　诸家老太有两个儿子梦龙和梦飞，以及一个养孙国荣。16年前，一伙以张振邦为首的歹徒为了报复诸老太在公安局工作的丈夫，欲把梦龙和梦飞活埋，国荣的父亲得知后，救出了兄弟俩，自己却被烧死，诸老太为了报恩，收养了国荣，并且对他十分疼爱。不想，16年后的今天，国荣却陷入了张的贩毒集团。梦龙出于对国荣的爱护，在知道国荣贩毒后，私下包庇他。在公安局工作的梦飞在缉拿国荣的过程中，国荣因拒捕被击毙，梦龙被梦飞带上了手铐。

校园鬼降疯

　　马拉西亚的卖座冠军片，马拉西亚恐怖片。　　六个名校女生玩刺激扮鬼上身，吓到学校请来法师驱邪，穿帮后被罚留校几日，继续搞鬼玩出鬼，嗜血的恐怖之门一打开就没得回头……

老板和小可爱

星途恶果

好莱坞明星Reef Hawk（基努·里维斯 饰）被人以一个神秘视频进行勒索，形象和职业面临崩塌，他必须深入探索自己心中隐藏的恶魔。在多年好友Kyle（卡梅隆·迪亚兹 饰）、Xander（马特·波莫 饰）和应对危机的律师Ira（乔纳·希尔 饰）的帮助下，Reef展开了一场自我反省的旅程，要去补偿任何他可能辜负过的人，想搞清楚勒索者是谁。面临自己的过去，才能拯救自己的未来。