如狼似虎的花样少妇

 一位无家可归的失忆男子接受一场实验性医学手术，术后醒来发现自己获得新的能力，可以看穿人们内心最深处的伤痛，真实和幻象之间的界线也因而模糊难辨。

阿明的暑假结束了。这位年轻的摄影师与他的casanova堂兄的前女友夏洛特度过了舒适的夜晚。她和他谈论文学，他给她拍照。在阿明与这些女性的相遇和他对电影的梦想之间，他有很多选择。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 亨利（加里·库柏 Gary Cooper 饰）是一位热血沸腾的青年，战争爆发了，他自愿前往意大利，成为了一名救护车驾驶员。在意大利，亨利结识了名为凯瑟琳（海伦·海丝 Helen Hayes 饰）的美丽护士，之后，亨利因为受伤被送进了米兰医院，在那里，他和凯瑟琳重逢了。住院期间，亨利和凯瑟琳坠入了情网，凯瑟琳的腹中亦怀上了亨利的骨肉。伤愈之后，亨利回到了战场，却发现我军的士气大跌，处处弥漫着惨淡的气氛。上司开始大量处决涉嫌逃跑的士兵，亨利亦难以幸免，他侥幸逃脱了自己人的枪子，他决定找到凯瑟琳，两人逃离战场，去过他们与世无争的日子。然而，意大利警察的追捕紧随其后，两人踏上了逃亡的旅途。