妻子的情人

远足惊魂

塔梅尔·哈桑,芭芭拉·尼德尔加科娃,本·洛伊德·霍尔姆斯,Zara Phythian,Daniel Caren

　　讲述一个从阿富汗的退役的女兵凯特组织了一群年轻美貌的少女到英国乡村业林里探险活动……

幸福之路

张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦

穿梭纽约市送餐的华人外卖仔，因谋生工具电动单车被盗，生活陷入危机。同时，他的妻女在分离五年后，终于来到纽约重聚。一部书写移民劳工的电影，镜头随着无法停下的外卖单车徘徊飘移，配以幽暗色调的纽约街头，仿佛在高度资本发达的城市中，刻划出边陲移工艰苦曲折的生存轨迹。韩裔加拿大导 演于2022年以短片《老样子》入围戛纳短片竞赛，其后将短片延伸成为其首部剧情长片，不变的是对移民群体的关注。

劫车王

佐伊·马奇尔,弗兰克·盖思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·贝茨,米兰妮·让帕诺米,Zoé Diowo-Ceccaldi,Florence Fauquet,乔纳森·德缪杰,阿利克斯·贝纳泽什,帕斯卡尔·艾尔索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes

　　白天，他们是隐形的——豪华酒店的服务员、女招待和调酒师。到了晚上，他们就是劫车者，一群熟练的司机，在路上追踪和抢劫富有的客户。当他们计划最终的抢劫时，酒店经理雇佣了一名无情的杀手，不惜一切代价阻止他们。随着危险的临近，诺拉、佐伊、史蒂夫和普雷斯顿能取得迄今为止最大的成绩吗？

大明嫔妃之杀机

朱一龙,何杜娟,关慧卿,陈思璇

　　一名刺客手持木棍闯进太子府，行刺未果，却散布谣言，说自己握有太子谋反的证据。三皇子声称要助太子调查案情，进驻太子府，实际却命锦衣卫将太子府团团围住，任何人不得出入。太子明白自己又一次陷入郑贵妃精心布下的圈套中，面对渐渐显露的杀机，他无从化解……而此时，王恭妃却执意要将兰心梅儿贬黜回家，任她如何哭泣哀求也不愿收回成命。王恭妃究竟是在为太子雪上加霜，还是另有隐衷？

家用摄像头

尹世雅,权赫,阮芳青薇

当兼顾工作和抚养孩子的单身母亲成熙（尹世雅饰）为她年幼的女儿在整个房子里安装家庭摄像头时，奇怪的事情开始了。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

变鬼2

Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn

　　一群银行劫匪从银行逃出后,来到了