与女上司的禁忌出差之旅
山本与上司美娜一起出差,最后住在温泉旅馆,由于美娜只要喝酒就会变得淫荡,所以山本每晚都要服侍她。她非常喜欢喝酒,下班后,她会抓住山本并让他喝酒。最后,他只好顺着她的节奏,用淫秽的自慰器刺激老板的私处。由于无法抑制自己的情绪,两人最终发生了性关系。他们走到哪里都喝酒、做爱,而山本也因她鲁莽的行为而被她的身体所陶艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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侏罗纪公园
山姆·尼尔,劳拉·邓恩,杰夫·高布伦,理查德·阿滕伯勒,鲍勃·佩克,马丁·费雷罗,约瑟夫·梅泽罗,阿丽亚娜·理查兹,塞缪尔·杰克逊,黄荣亮,韦恩·奈特,杰拉尔德·R·莫伦,米盖尔·桑多瓦尔哈蒙德(理查德•阿滕伯勒 Richard Attenborough 饰)立志要建立一个非同寻常的公园:恐龙将是这个公园的主角。他把众多科学家收归旗下,利用琥珀里面困住的远古蚊子体内的血液,提取出恐龙的基因信息,利用这些信息培育繁殖恐龙。结果如愿以偿,他把怒布拉岛建立成了一个恐龙公园,坚信可以从中赚取大钱。然而,科学家们则忧心忡忡。 不幸的事情果然发生了。虽然公园有电脑系统管理,但却因为被员工破坏而造成了无法挽救的失控:所有的恐龙逃出了控制区,人们纷纷逃窜却逃不过恐龙的魔爪。恐龙自相残杀,人们亦死难无数,最后幸存者寥寥,只得四人逃出生天。怒布拉岛上空弥漫着恐怖的气息。
宿命,吾爱:第二部
沙伊恩·布迈丁,奥菲莉·芭,Jessica Pennington,萨利姆·克希乌什,安德烈·雅各布斯,阿弗西娅·埃尔奇,亚历克西娅·夏达,Dany Martial,Marie Bernard,Delinda Kechiche,卢·卢蒂奥,Kamel Saadi,Athénaïs Sifaoui-Blanc阿明的暑假结束了。这位年轻的摄影师与他的casanova堂兄的前女友夏洛特度过了舒适的夜晚。她和他谈论文学,他给她拍照。在阿明与这些女性的相遇和他对电影的梦想之间,他有很多选择。
丧尸出笼:血脉
Sophie Skelton,乔纳森·斯卡奇,Jeff Gum,Marcus Vanco,马克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔纳斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然复活,变成丧尸开始疯狂撕咬活人,被咬后的活人纷纷变成丧尸,一场末日丧尸之战自此开始...
纳粹僵尸
Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火葬2025
Van David,K Sinh,Ry SreyNet医生曾严禁丹妮怀孕,她却意外诞下双胞胎,命运的转折让母子三人接连离世。在柬埔寨传统火葬仪式筹备期间,殡葬师与僧侣按习俗处理后事,却接连遭遇毛骨悚然的怪事。停尸间的异响、诵经时的异常干扰、遗体旁的诡异痕迹不断出现,亡者的怨念在火葬场蔓延,原本肃穆的超度仪式,逐渐沦为被恐惧吞噬的死亡现场。