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大怪兽巴朗
野村浩三,園田あゆみ,千田是也,平田昭彦,村上冬树,土屋嘉男再一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,乔纳森·怀特赛尔,裘德·威尔逊,加菲尔德·威尔逊,Keana Velsen,西蒙·钱,威廉·威尔德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德鲁·科兰特斯,Tommy Europe,Karina Frislev驱魔龙族马小玲
黄宗泽,吴千语,蔡洁,吕良伟,刘心悠,廖子妤,黄文慧,朱栢康,吴启洋,黄梓乐,万绮雯,苏丽珊,郭柏妍愉快动物饼干电影版
松田元太,水上恒司,高石明里,藤森慎吾,苍井翔太,小泽亚李,水濑祈,东山奈央,立木文彦,间宫胡桃浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·莱伊不可饶恕2021
桑德拉·布洛克,乔·博恩瑟,文森特·多诺费奥,维奥拉·戴维斯,理查德·托马斯,艾斯琳·弗兰乔茜,W·厄尔·布朗,杰西卡·麦丽奥德,汤姆·盖里,琳达·伊蒙,罗布·摩根,艾伦·坡尔,帕蒂·基姆,艾玛·尼尔森,托比·哈格雷夫,威尔·普伦,威廉·贝勒,西蒙·钱,Tom MacNeill同类推荐
惊声尖叫7
内芙·坎贝尔,伊莎贝尔·梅,柯特妮·考克斯,梅森·古丁,贾思敏·萨沃伊·布朗,大卫·阿奎特,马修·里沃德,斯科特·弗利,塞莱斯特·奥康纳,阿萨·格尔曼,麦肯娜·格瑞丝,萨姆·雷希纳,米歇尔·兰道夫,吉米·塔特罗,安娜·坎普,乔尔·麦克哈尔,马克·康苏斯,伊桑·恩布里,维克托·特平,Scott Allen Frederick,艾米·彭伯顿,Josh Thrower,Cyle Winters,罗格·杰克逊新的鬼脸杀手出现在Sidney Prescott（内芙·坎贝尔 饰）过着新生活的宁静小镇，她心底里最恐惧的事已在现实生活中发生，因为她的女儿（伊莎贝尔·梅 饰）成为了鬼脸杀手下一个目标。为了保护家人，Sidney必须再次面对她过去的恐怖经历，彻底结束无止境的血腥杀戮。
断魂小丑
珍娜·凯内尔,萨曼莎·斯卡菲迪,戴维·霍华德·桑顿,凯瑟琳·科科兰,Pooya Mohseni,Matt McAllister,Michael Leavy,凯蒂·马奎尔,吉诺·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,玛格丽特·里德,Kamal Ahmed故事发生在万圣节的当晚，塔拉（Jenna Kanell 饰）和道恩（Catherine Corcoran 饰）醉醺醺的从一个派对中离开，走在清冷的大街上，两人打算去一家披萨店弄点吃的，一个小丑打扮的男人尾随她们也进入了店里，虽然小丑的样貌十分可怖，但个 性似乎还挺可爱的，除了他把店里的厕所弄的一团糟，气炸了店主。 之后，塔拉和道恩离开了店里，塔拉进入了一间公寓上厕所，道恩在路边等她，小丑再度出现在了她的身后，这一次，小丑想做的便不仅仅是逗她笑这么简单了。小丑打晕了塔拉，当塔拉再度醒来时，映入眼帘的，是被倒挂的道恩和在一边手持电锯的小丑。
暗黑子午线
比利·斯洛特,戴夫·戴维斯,詹姆斯·摩西·布莱克一名腐败的新奥尔良侦探在放风时陷入两个犯罪团伙之间的战斗中。为了在夜晚生存下来，他必须找到一名杀手，并在凶手到达其他目标之前将他带走
热血敢死队
隋存毅,李恰,李博,吕九亿,吕晨,王锦,刘小宾,杨明,冯奕鸣1936年冬，抗联战士刘文泽等人于林海雪原伏击日军，欲夺回被窃国宝，却发现是赝品。他们与渡边一郎部周旋，多名战友牺牲，后在情报员老吴、僧人观空协助下找到地宫。最终众人与日军激战殉国，而他们用生命守护的国宝，50年后在般若寺遗址重现。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.