大盗情人
街头泼皮,异想发艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。一番狂赌,欠下外债。于是铤而走险,抢劫钱财。浪荡女子,妒忌同事,勾结外鬼打劫自家公司。交友需慎重啊……
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剧情提要
街头泼皮,异想发艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。一番狂赌,欠下外债。于是铤而走险,抢劫钱财。浪荡女子,妒忌同事,勾结外鬼打劫自家公司。交友需慎重啊……
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隔壁的外星人
宇野祥平,前田旺志郎,吉村优花,猪塚健太忠勇之家
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Anupam Kher,Naseeruddin Shah尘兔
大卫·达斯马齐连,麦斯·米科尔森,西格妮·韦弗,瑞贝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao埃迪森
LL Cool J,贾斯汀·汀布莱克,摩根·弗里曼,凯文·史派西,迪伦·麦克德莫特,约翰·赫德,加利·艾尔维斯,罗塞莉·桑切斯,达米恩·丹特·韦恩斯,马尔科·桑切斯,关永扬,安德鲁·杰克森,派珀·佩拉博,布赖恩·詹尼斯,叶芳华,罗伯特·米亚诺,BJ·哈里森,雷克哈·莎尔玛,彼特·科拉米斯,Klodyne Rodney,格伦·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托马西诺,大卫·帕拉菲,阿丽克西斯·卢埃林,Holly Eglington,卡佳范瑞西无限密室
克里斯托弗·索伦·凯利,卡桑德拉·克拉克,卡贾尔多·林赛,杰西·D·阿罗同系列推荐
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卡莉·史派妮,戴维·荣松,阿奇·雷诺,伊莎贝拉·莫塞德,斯派克·费恩,吴爱玲,丹尼尔·贝茨,伊安·霍姆,特雷沃·纽林,罗伯特·勃洛克茨基,安妮玛丽·格里格斯,罗茜·伊德,索玛·西蒙,本斯·欧科克,维克托·欧利祖莫·吉里根:活在当下
莫·吉里根女人们的谈话
鲁妮·玛拉,朱迪思·爱薇,艾米丽·米切尔,凯特·哈莱特,丽芙·麦克尼尔,克莱尔·芙伊,希拉·麦卡锡,杰西·巴克利,米歇尔·麦克劳德,基拉·古洛安,莎伊拉·布朗,弗兰西斯·麦克多蒙德,薇薇安·安迪克特·道格拉斯,本·卫肖,奥古斯特·温特,洛克兰·雷·米勒,纳撒尼尔·麦克帕兰德,威尔·宝,伊里·哈姆,艾米丽·德雷克,马库斯·克雷格,卡罗琳·吉利斯重返侏罗纪
古铭瀚,杨雪,毛凡,张永华,马群雄恶魔的艺术
阿丽莎·维尔斯,苏帕克森·柴蒙蔻,特林·赛塔欧克,克朗通·拉查塔万,颂猜·沙图吞,埃萨拉·奥查库,尼鲁·素查,克里塔尤德·蒂姆纳特,鲍勃·布克霍尔兹,雪莉·嘉森,桑迪·福克斯,艾尔维亚·盖坦,格兰特·乔治,尤里·洛文塔尔,戴夫·麦罗,苏珊·马奎,布莱斯·峇本布鲁克,塔拉·普拉特,萨姆·里格尔,克莉丝汀·卢瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃伦异羽之鸟
贾亚士里,Mahadev Hadapad,Rekha Kudligi幕后花絮
校园鬼谈
每个学校都有很多故事,从新生入学到毕业,一届又过了一届,然而那些建筑和房屋仍然留在原地,有些人带着难忘的回忆离开,而那些回忆可能永远也不能忘记……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.