土耳其狂欢
本片围绕一位年轻的雕刻家艾里克（鲁特格尔·哈尔 Rutger Hauer饰）与美艳女郎奥尔加（莫妮卡·梵·德·冯 Monique van de Ven饰）展开，讲述两人之间一段刻骨铭心的孽缘情艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。一起车祸让天性崇尚自由欲望的艾里克，邂逅美艳女郎奥尔加。从此他终日沉迷于暴力虐待式的床第之欢。当奥尔加远嫁美国后，艾里克重陷孤独，他只能以更加疯狂的性欲来发泄心中的痛苦。然而当两人再次重遇时，那段刻骨铭心的爱欲却再也无法重现，唯化作一段孽缘成追忆。
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热门影视 大家都在看
坏血1986
米歇尔·皮科利,朱丽叶·比诺什,德尼·拉旺,汉斯·迈尔,朱莉·德尔佩,卡罗尔·布鲁克斯,乌戈·普拉特,米雷耶·佩里耶,塞尔日·雷吉亚尼,弗朗索瓦·尼格雷特车库惊魂
韦斯·本特利,瑞秋·尼科尔斯,西蒙·雷诺兹,菲利普·阿金,史蒂芬·穆尔,米兰达·爱德华兹,李善亨,格蕾丝·林恩·孔,芭丝谢芭·加内特,Philip Williams,阿诺德·平诺克,弗兰克·卡方落山风
刘琼,吴茵,刘新,张弘,宋佳,王频,吴茗,唐群,佟瑞敏,王萍,翁国钧,王美成,柴耿疯死
Lucille Guillaume,Lewkowski Yovel,Laurie Pavy邻居的窗
玛丽亚·迪齐亚,格雷格·凯勒,Juliana Canfield三天
朴新阳,李民基,李来同类推荐
抢钱大作战
吉奥瓦尼·瑞比西,范·迪塞尔,尼娅·朗,尼基·凯特,本·阿弗莱克,汤姆·艾弗瑞特·斯科特19岁的少年赛斯·戴维斯（吉奥瓦尼·瑞比西 Giovanni Ribisi饰）一心希望能尽快淘到自己的第一桶金，好让父亲另眼相看。他本打算靠玩非法纸牌起家，却发现此路根本行不通，直到一家名为J.T.马林经纪公司的股票经纪商找上了赛维斯。 在这个号称“锅炉房”的核心办公室里，多少个一夜间成为百万富翁的故事深深诱惑着赛维斯。很快，野心勃勃的赛维斯便以优异的成绩通过了股票经济人认证考试，开始了他的“成功之路”。他把那些永远都没有前途的股票卖给利欲熏心的投资者。赛维斯正以极危险的速度追逐着金钱与利益，靠近着他所谓的功成名就，贪婪而不安。在纽约长岛这个瞬息万变的商业圈里，良心未泯的赛维斯终于开始面对良心的考验。
复仇：爱的故事
尼古拉斯·凯奇,安娜·哈彻森,特丽莎·贝特曼,黛博拉·卡拉·安格,唐·约翰逊,约书亚·米克尔,罗科·纽金特,乔·欧科特贝克,卡特·伯奇,夏琳·蒂尔顿,迪克兰·图莱尼,卡拉·弗劳尔斯,吉米·冈萨雷斯,科里·斯科特·艾伦,迈克·普涅夫斯基,凯蕾·里维拉,沙维尔·德克里,迈克尔·帕帕约翰缇娜（安娜·哈金森 Anna Hutchison 饰）带着十二岁的女儿贝斯（特丽莎·贝特曼 Talitha Bateman 饰）于午夜走在回家的路上，遇见了一群小混混，小混混们强暴了缇娜，贝斯作为目击证人将施暴者们的面容牢牢记在了心底。在法庭上，贝斯当庭指认了凶手，然而，被告方找来了一位毫无道德底线并且巧舌如簧的律师，他们联手栽赃缇娜，颠倒是非黑白，而法官也只想息事宁人。 约翰（尼古拉斯·凯奇 Nicolas Cage 饰）是一名从业多年的老警官，虽然表面风光，但实际上他正在遭遇人生的中年危机。缇娜的案件激发起了约翰内心里熄灭已久的正义感，他决定挺身而出帮助这对可怜的母女。
怨林深处
米歇尔·齐迪斯,里罗·得万托,Ariqa Fakhirah Shakila,塔斯卡娅·纳米亚,伊梅尔达·塞林,Dewi Pakis,Whani Darmawan,普里特·蒂莫西,德拉·达蒂安,鲁克曼·罗萨迪,Agus Kuncoro,鲁思·马里尼,Saputra Kori,Agung Bla,Aldy Pratama单身母亲西塔带着视障女儿金迪斯，为改善生活从北加浪岸前往三宝垄，踏上穿越“阿拉斯·罗班”死亡公路的夜班车。巴士在荒郊抛锚后，母女俩被迫滞留这片以灵异传说闻名的森林地带。金迪斯开始频繁听到诡异低语，行为也愈发怪异，西塔逐渐意识到，这片土地的古老邪灵已盯上了女儿。她必须在无尽的恐惧中，找到保护女儿的方法，直面这片死亡公路背后的黑暗秘密。
不能犯
松坂桃李,泽尻英龙华,新田真剑佑,安田显,间宫祥太朗,真野惠里菜,芦名星,矢田亚希子,菅谷哲也,冈崎纱绘,忍成修吾,水上剑星,水上京香,今野浩喜,堀田茜,小林稔侍《不能犯》改编自宫月新原著、神崎裕也作画的同名漫画，里面的主人公“电话亭之男”（松坂桃李）是一名类似于《死亡笔记》中夜神月的暗黑英雄，专杀那些本身有罪但没有受到法律惩戒的人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.